[Referring to the Story for All Ages RE children's skit] The children and I worked on that production last week. This is a story we have just begun as one of our units in our Workshop Rotation Model. We learn one story through different workshops, which are aligned with UU principles.
Viewing each story from the many angles of the
workshops has led the children, the volunteers and me to realize multiple
messages and lessons of each story.
All in all, this exercise has taught me all the complexities
involved in interpreting and sitting with or experiencing a story.
Through our Workshop Rotation Religious Education program,
we do experience the stories. Unit after
unit, children have come to identify with the characters of the religious and cultural
stories. They picture themselves in the shoes of the character. The imagine and
discuss how they would respond if faced with the character.
We even included, in our Kuan Yin unit, a conversation
around “What would Kuan Yin do?”
One of the most amusing moments for me this year in
Religious Education was the repeated “Minotaur was here” graffiti on the canvas
labyrinth we created and decorated during our Icarus unit.
I.e. Cultural translation is not easy. Education is a balance of preserving the original material
with awareness of the age and readiness of students.
What do we do with Grimm’s fairy tales such as Cinderella where
sisters cut off their toes to fit glass slippers that would entice the
prince? …..This is not a story we did this year.
Instead, we shared the story of Kuan Yin and teachers shared
that they were pleased to see a tale that portrayed a young woman who chose NOT
to get married, in contrast from popular fairy tales that establish finding a
prince as the only way to complete the story and live happily ever after. Kuan
Yin’s choice is one more image of another choice. UU children learn that there
are many choices in life, and even if we pass up an opportunity once, we might
find it again or something we would enjoy even more.
This story is also important for us because we learn a
lesson and values from another culture in the world. Nasruddin tales are traditional Islamic stories. Nasruddin is often a trickster character, whose actions
reveal the common follies of humanity. The traditional storytellers have used
Nasruddin to point out the inconsistencies and hypocrisies common to humanity.
Through comparative mythology, we find that there ARE common
morals that appear throughout the folklore of many cultures. We also find
uniqueness and specificities to cultures around the world.
Comparative mythology, when done well, finds contrasts in
addition to comparisons.
In our Religious Education program, we are preparing our
children to be bearers of the Unitarian Universalist flame. We teach them
Unitarian Universalist values and principles so that they have a firm moral
grounding and sense of justice.
We also remind children of the first principle – the
inherent worth and dignity of every individual – and that this applies to them.
We teach our children to be kind and compassionate forces in
the world, and we teach them to stand up for their own needs in life.
In order to practice hospitality for the world, we must also
strive to understand different parts of the world or cultures in the world.
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